commonly designated in the vernacular as a “flopper.” His legs were twisted under him in contorted angles at the knees, and his means of locomotion consisted in lifting himself up on the palms of his hands and swaying himself painfully along a foot or so at a time. Laverto’s story, told in halting and broken English, was equally pitiful. The man had been a photographer, an artist he had called himself, and he had come to America a few years before from some little town in Italy, lured by the high prices that he had heard the rich New World would pay him for his work. But within a few days of landing he had met with an accident in a tenement fire that had crippled and maimed him for life. He had been practically destitute, his sole possessions being the camera and a few of the cherished photographs he had brought with him. The camera had gone to pay for his support during convalescence; and subsequently, reduced
Doors of the Night
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Frank L.Packard
