Upon these profoundly studied outlines, as remarkable for their grace and complexity as the general mass of the capital is for solid strength and proportion to its necessary service, the braided work is wrought with more than usual care; perhaps, as suggested by the Marchese Selvatico, with some idea of imitating those “nets of chequerwork and wreaths of chainwork” on the chapiters of Solomon’s temple, which are, I suppose, the first instances on record of an ornamentation of this kind thus applied. The braided work encloses on each of the four sides of the capital a flower whose form, derived from that of the lily, though as usual modified, in every instance of its occurrence, in some minor particulars, is generally seen as represented in fig. 11 of Plate
The Stones of Venice, Volume II (of 3)
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John Ruskin
