must make a distinction, however, between the comic EXPRESSED and the comic CREATED by language. The former could, if necessary, be translated from one language into another, though at the cost of losing the greater portion of its significance when introduced into a fresh society different in manners, in literature, and above all in association of ideas. But it is generally impossible to translate the latter.
the living from the merely mechanical. Let us take the counterpart of each of these: we shall obtain three processes which might be called REPETITION, INVERSION, and RECIPROCAL INTERFERENCE OF SERIES.
Assuming that the stage is both a magnified and a simplified view of life, we shall find that comedy is capable of furnishing us with more information than real life on this particular part of our subject.
We shall have a fresh series of laughable images which will be obtained by taking a blurred impression, so to speak, of the outlines of the former and will bring us to this new law: WE LAUGH EVERY TIME A PERSON GIVES US THE IMPRESSION OF BEING A THING.
Why do we laugh at a public speaker who sneezes just at the most pathetic moment of his speech? Where lies the comic element in this sentence, taken from a funeral speech and quoted by a German philosopher: "He was virtuous and plump"? It lies in the fact that our attention is suddenly recalled from the soul to the body.