The beauty of form, the varied and vital aspects of religious, social, and individual character, the splendour and charm of a nobly ordered art in temples, speech, manners, and dress, the constant suggestion of the deep humanism behind that art and of the freshness and reality of all its forms of expression,—these things are as much and as great a part of the "Dialogues" as the thought; and they are full of that quality which enriches and ripens the mind that comes under their influence. In these qualities of his style, quite as much as in his ideas, is to be found the real Plato, the great artist, who refused to consider philosophy as an abstract creation of the mind, existing, so far as man is concerned, apart from the mind which formulates it, but who saw life in its totality and made thought luminous and real by disclosing it at all points against the background of the life, the nature, and the habits of the thinker. This is the method of culture as distinguished from that of scholarship;
